A series of sound works and recordings in which sound artists work with the listening act in existential finitude situations.

The artists were asked to create a sound work that can be heard by a person in existential finitude (in a relatively short period of time) or a sound work to be heard while someone dies or a sound work that the artists themselves would like to listen to while they die.

Conceptual framework → An invitation to listen to impermanence.

“May it come that all the Sounds in the Bardo will be known as one’s own sounds.” – Liberation Through Hearing in the Intermediate State.

Newsletter → Sound works published periodically, every 49 days.